5003 dialogism

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where is the room for "creativity" in Bakhtin's scheme?

is the notion of "dialogue" in Bakhtin compatible with the notion of conversation in G.H. Mead?

are the "centripetal" forces mentioned by Bakhtin related to the synchronic structuring forces in Saussure?

how might Bakhtin have responded to cinema: is it more like poetry? novels? a different form of art altogether?

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